
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|
Mary Celeste (2007) GreyFall Records HMM Rank: ![]() ![]()
The title track leads off the album in fine form, with plenty of haunting atmosphere and dread. There is more than a touch of industrial elements, but at the core the song would be familiar to fans of Beseech and Lullacry. Birgit has much in common with Lotta Höglin and Tanja Lainio, though she isn't very strong in the upper reaches of her range. She's an enjoyable singer, but not overpowering. As for the music, the songwriting features a lot of Tiamat influence. The ambitious song structures, combined with distinctively somber moods, sound familiar but never stale. With the title track being the most aggressive track on the album, the remaining songs are far from anti-climactic. Crystals of Forgiveness features a chunky low end riff and de Putter contributes his sinister baritone on a couple of tracks, including Masquerade which features Birgit assuming a style that reminds me much of Susanna Hoffs (yes, The Bangles). Mary Celeste is full of interesting moments, but overall the album is just a cut above ordinary. Several songs in the latter stages of the album have a feeling of being filler, and the ballad that closes the album (Paralyzed) harms more than it helps. Fans of the genre, and I am one of them, will find this album interesting and enjoyable for an occasional spin. Mandrake has the potential to propel themselves into the front rank of Gothic metal bands, and Mary Celeste hints at that potential.
Reviewed 08/3/2008
Official Mandrake Website
|